For obvious reasons, Paul Adams was at the same time both the easiest and the most difficult character for me to portray.
Easiest, because I had a personal insight into his psyche. I know what makes him tick, even if some of those who share this story with him are not so sure. I share his musical enthusiasms, his anxieties, his yearnings, and his sense of longing for a past that is uncertain, undefined, and in equal part mystical and mythical. Such over-familiarity also made it the most difficult.
The various observations I have received from readers about the character of Paul Adams are noted. He was never going to be wholly the good guy or the bad, he is not a character to be reduced to such binary simplicities. He is a complex subject for analysis, even for me. In varying proportions he is vain, delusional, manipulative, devious, indecisive, sometimes cowardly and most times obsessive. In his defence he is also protective, loyal, romantic, resourceful, pragmatic, aspirational and, in his own mind at least, even visionary. His destination is formless but the path that leads him, and others, to it is forever clear.
CONFUSED BY TIME
Paul is a character confused by time, to the extent that he simply refuses to accept the transient nature of his existence. If it happened at some point in the past and lingers within his soul then as far as he is concerned it is still happening. He cocks a snook at impermanence and plants his flag defiantly upon the hill of his apogee, challenging life to do its worst. The best year of his life is, for Paul, a transcendent experience.
Whatever inspiration I may have drawn from literary greats such as Tolkein or C.S. Lewis, the story which loomed large in my subconscious, particularly in the later chapters, was Quadrophenia. The story of Jimmy the mod, albeit a character slightly older and meaner than Paul Adams, was one with which there were obvious parallels, although I did not consciously plan it that way and the fact only really occurred to me after publication. All the same the idea of Paul riding off a cliff on a stolen scooter to his death once the euphoria of the big event had faded, and everything he had lived for had crumbled so quickly and so completely into dust, seemed to me to be inappropriate and overstated.
ANTICLIMACTIC
Instead I chose to bring him back to Earth with a bump, in an Epilogue so anticlimactic that it would disorient the reader every bit as much as had any of the chapters charting Paul’s ascent to imagined greatness. Or that was the intention anyway. Once the story had been told and the magic had been fulfilled Paul Adams alighted from the wardrobe. Alone.
I feel there are many chapters left in Paul Adams, but what tale they will tell I truly do not know. The best year of anybody’s life cannot, by definition, be bettered.
Showing posts with label Steve Turner. Show all posts
Showing posts with label Steve Turner. Show all posts
Wednesday, 21 August 2019
Tuesday, 11 September 2018
The Best Year Of Our Lives: The Characters - Alan Webb
Alan Webb is the only character I am profiling who is not a member of the eight. The reason will be immediately obvious to anybody who reads the story: the gang's enmity for Paul Adams' erstwhile mucker is the chord which binds them together during this their second rideout. He alone had been the reason for the gang's demise the first time around, of which we know only a limited amount, and he is equally the cause of its coming together for a second time – older, wiser and rapt by the most beautiful summer that living man had encountered before or since.
But there is another reason why I feel the need to grant special status to Alan Webb. When discussing The Best Year Of Our Lives with friends and acquaintances who have been kind enough to read it and offer me feedback I have been overwhelmed, if not entirely surprised, by the amount of sympathy that this character in particular has provoked. "I feel sorry for that person you bullied," said one, confusing me as author with the lead actor. "I liked Alan Webb much more than I liked Paul Adams," admitted another.
NOT UNINTENTIONAL
I have to confess this wasn't entirely unintentional on my part. The negative portrayal of Alan Webb throughout most of the book was only ever intended to reflect the view of him taken by the one through whose eyes the story was told. He begins the tale as Alan, is relegated to Webb before becoming Alan once again with a handshake and an awkward reminisce. But through it all he is stoical, courageous and admirably defiant in his predicament. He has to suffer, in order that the gang might thrive. He is the blood sacrifice of a halcyon adventure. That is the simple dynamic, the reader was never meant to hate him.
Alan Webb brings out the leader in Paul, the loyalty in Jim, the affection in Tina and the infant heroism in Pete. Unwittingly he is the catalyst for great things, for an explosion of love made magnificent by a common if oft exaggerated hatred. Some would see him as one of the most noble characters in the book, and I always intended it that way.
Alan doesn't leave the story in as dramatic a style as he first entered it, but he is thematic to it throughout. Wherever he is today, I wish him well and I'm sure Paul Adams would feel the same.
But there is another reason why I feel the need to grant special status to Alan Webb. When discussing The Best Year Of Our Lives with friends and acquaintances who have been kind enough to read it and offer me feedback I have been overwhelmed, if not entirely surprised, by the amount of sympathy that this character in particular has provoked. "I feel sorry for that person you bullied," said one, confusing me as author with the lead actor. "I liked Alan Webb much more than I liked Paul Adams," admitted another.
NOT UNINTENTIONAL
I have to confess this wasn't entirely unintentional on my part. The negative portrayal of Alan Webb throughout most of the book was only ever intended to reflect the view of him taken by the one through whose eyes the story was told. He begins the tale as Alan, is relegated to Webb before becoming Alan once again with a handshake and an awkward reminisce. But through it all he is stoical, courageous and admirably defiant in his predicament. He has to suffer, in order that the gang might thrive. He is the blood sacrifice of a halcyon adventure. That is the simple dynamic, the reader was never meant to hate him.
Alan Webb brings out the leader in Paul, the loyalty in Jim, the affection in Tina and the infant heroism in Pete. Unwittingly he is the catalyst for great things, for an explosion of love made magnificent by a common if oft exaggerated hatred. Some would see him as one of the most noble characters in the book, and I always intended it that way.
Alan doesn't leave the story in as dramatic a style as he first entered it, but he is thematic to it throughout. Wherever he is today, I wish him well and I'm sure Paul Adams would feel the same.
Monday, 27 August 2018
The Best Year Of Our Lives: The Characters - Tina Wilson
It is probably not a question that would spring immediately to the mind of the casual reader, but one of the biggest challenges I had to face when creating and developing the dynamic of the gang of eight was to what extent it functioned as a net and not as a spider's web.
Let me put that another way. With Paul as the focal character, at the centre of everything that takes place, the story is inevitably structured in such a way that without him there would a gaping hole at the centre, and nothing would make very much sense. Like a spider's web, in which every strand leads inevitably to the spider in the middle and the whole thing is constructed around it with the spider being the only rationale for the web's existence.
CONNECTED CLOSELY
A piece of netting, on tbe other hand, comprises a series of interlocking strands with none conspicuously more important than any other. Cut a strand or two away and a net becomes a damaged net, but remains a net all the same. With a stitch or two it can be repaired, and can continue to do its work as it did before.
If this all sounds a bit hypothetical, consider the relationships between the various members of the gang – for the early part of the book at least. Choose any member of the gang and he or she is connected more closely to certain other members than to others, whether by blood or by affection. Jim is Debbie's boyfriend, Paul's best friend and Colin's brother. Colin's girlfriend is Beverley, whose brother is Steve, while Debbie's closest friend is Alison. Only when we get to Tina do we depart from this general rule.
OUTSIDER OR SPIDER?
Unlike the others Tina is introduced into The Best Year Of Our Lives as Paul's enemy, and by association Jim's too. With no peacemaker to heal the rift, one is left to assume that its duration had been considerable. Only with the break-up between Paul and his erstwhile pal Alan Webb is the ground laid for a reconciliation with Tina.
With no sibling in the gang, no best friend and no partner Tina is ostensibly the outsider, but as her relationship with Paul becomes tentatively closer that fact is not always obvious. The reader is invited to anticipate the day when Tina and Paul will draw inexorably nearer but fate can be unkind, and the cult of self certainly no less so.
Tina was a difficult character for me to get entirely right. I'm not sure I managed to do so. But far from being the outsider she for me was actually much closer to being the spider than a mere link in the net. She was ever there in Paul's thoughts; in his calculations and his aspirations, in his ideas and his dreams. None of it would have happened without her.
Let me put that another way. With Paul as the focal character, at the centre of everything that takes place, the story is inevitably structured in such a way that without him there would a gaping hole at the centre, and nothing would make very much sense. Like a spider's web, in which every strand leads inevitably to the spider in the middle and the whole thing is constructed around it with the spider being the only rationale for the web's existence.
CONNECTED CLOSELY
A piece of netting, on tbe other hand, comprises a series of interlocking strands with none conspicuously more important than any other. Cut a strand or two away and a net becomes a damaged net, but remains a net all the same. With a stitch or two it can be repaired, and can continue to do its work as it did before.
If this all sounds a bit hypothetical, consider the relationships between the various members of the gang – for the early part of the book at least. Choose any member of the gang and he or she is connected more closely to certain other members than to others, whether by blood or by affection. Jim is Debbie's boyfriend, Paul's best friend and Colin's brother. Colin's girlfriend is Beverley, whose brother is Steve, while Debbie's closest friend is Alison. Only when we get to Tina do we depart from this general rule.
OUTSIDER OR SPIDER?
Unlike the others Tina is introduced into The Best Year Of Our Lives as Paul's enemy, and by association Jim's too. With no peacemaker to heal the rift, one is left to assume that its duration had been considerable. Only with the break-up between Paul and his erstwhile pal Alan Webb is the ground laid for a reconciliation with Tina.
With no sibling in the gang, no best friend and no partner Tina is ostensibly the outsider, but as her relationship with Paul becomes tentatively closer that fact is not always obvious. The reader is invited to anticipate the day when Tina and Paul will draw inexorably nearer but fate can be unkind, and the cult of self certainly no less so.
Tina was a difficult character for me to get entirely right. I'm not sure I managed to do so. But far from being the outsider she for me was actually much closer to being the spider than a mere link in the net. She was ever there in Paul's thoughts; in his calculations and his aspirations, in his ideas and his dreams. None of it would have happened without her.
Friday, 25 May 2018
The Best Year Of Our Lives: The Characters - Jim Gray
The grey-haired man whom Paul encounters during the Epilogue describes Jim Gray as Paul's "deputy", but then I guess he would. The Best Year Of Our Lives is, of course, Paul's story, which lends some explanation to this assumption.
Jim is just a little bit younger, and just a little bit smaller, than Paul, and at their age this may indeed count for something. But these slender margins of seniority should not be permitted to obscure the seminal role played by Jim in making this story work. He is at the centre of it all - his father runs the club, his girlfriend is Paul's closest competitor, his brother has an integral role to play and, perhaps most importantly, his sense of perspective more than once keeps Paul treading the straightest path.
CREATING THE CORRECT DYNAMIC
Creating the correct dynamic between Jim and Debbie was one of my most difficult challenges during the writing of this book. Whilst Debbie's oozing charisma and cool bravado threatens to overwhelm all in her path, there always had to be a sense that Jim in some way retains dominance within the relationship. Being older and being male, he can level with Paul in a way that Debbie cannot and one is allowed to feel that to some extent at least Debbie only gets away with what Jim permits her to, for the sake of a quiet existence.
At the same time of course Jim has the added responsibility of keeping his brother Colin in his box, as the latter's more or less similar size and stature enable him to assert a degree of sibling rivalry which defies the age difference between them. Add to that his oft-expressed exasperation with Steve and emotionally Jim is fighting on every front, whilst being the cog at the epicentre of the mechanism which turns the gang sans Paul.
AN ESSENTIAL LINK
Beyond the genuine affection that Paul has for his closest friend, Jim provides an essential link back to the younger members of the gang without which Paul might well have felt estranged. Generally fourteen and fifteen-year-olds aspire to be seen stepping out with the bigger kids, but Paul is able to move in the preferred company of the younger ones because his sidesman, with the slightly younger girlfriend and the still younger sibling, is from his own stable.
Jim Gray is an important, essential component of the complex intersection of personalities which is the Aitston eight. I don't think the story would have retained any credibility without him - indeed I fear Paul would have been left without much kudos and looking a little, well, strange, and set adrift. At the very least, for Jim the right to wear the lumber jacket is one that has been thoroughly earned.
Jim is just a little bit younger, and just a little bit smaller, than Paul, and at their age this may indeed count for something. But these slender margins of seniority should not be permitted to obscure the seminal role played by Jim in making this story work. He is at the centre of it all - his father runs the club, his girlfriend is Paul's closest competitor, his brother has an integral role to play and, perhaps most importantly, his sense of perspective more than once keeps Paul treading the straightest path.
CREATING THE CORRECT DYNAMIC
Creating the correct dynamic between Jim and Debbie was one of my most difficult challenges during the writing of this book. Whilst Debbie's oozing charisma and cool bravado threatens to overwhelm all in her path, there always had to be a sense that Jim in some way retains dominance within the relationship. Being older and being male, he can level with Paul in a way that Debbie cannot and one is allowed to feel that to some extent at least Debbie only gets away with what Jim permits her to, for the sake of a quiet existence.
At the same time of course Jim has the added responsibility of keeping his brother Colin in his box, as the latter's more or less similar size and stature enable him to assert a degree of sibling rivalry which defies the age difference between them. Add to that his oft-expressed exasperation with Steve and emotionally Jim is fighting on every front, whilst being the cog at the epicentre of the mechanism which turns the gang sans Paul.
AN ESSENTIAL LINK
Beyond the genuine affection that Paul has for his closest friend, Jim provides an essential link back to the younger members of the gang without which Paul might well have felt estranged. Generally fourteen and fifteen-year-olds aspire to be seen stepping out with the bigger kids, but Paul is able to move in the preferred company of the younger ones because his sidesman, with the slightly younger girlfriend and the still younger sibling, is from his own stable.
Jim Gray is an important, essential component of the complex intersection of personalities which is the Aitston eight. I don't think the story would have retained any credibility without him - indeed I fear Paul would have been left without much kudos and looking a little, well, strange, and set adrift. At the very least, for Jim the right to wear the lumber jacket is one that has been thoroughly earned.
Wednesday, 9 May 2018
The Best Year Of Our Lives: The Characters - Beverley Turner
If Steve Turner is oafish, so his younger sister Beverley is sardonic. She may only be eleven, or twelve as the story progresses, but her innocence is only compounded by her unique and lovable wit. Loyal to Paul, proud of the gang, she is there till the last when most of the others (even Paul) have wandered at least on occasion. Only twice do we see her entirely serious - once with the self-induced, but thankfully temporary, loss of her relationship with Colin Gray, the other as the curtain descends, in Chapter 61.
As far as the aforesaid "relationship" with Colin goes, Paul himself finds he reflects on quite what that means when both parties to it are eleven. But that brings us inevitably to consider what any relationship entails. Or as Bowie might have put it - we're just older children after all.
WITH A WINK AND A SMIRK
Just how central is Beverley to the plot? In my view, very much so. The point of the gang for Paul is that it represents his last shot at childhood, and to hang on to that he needs the gang to stretch backwards, not forwards, just as far as crediblity, and credulity, will allow. As a settled couple who are by no means immature for their ages, she and Colin provide that much needed link back to earlier years without being entirely detached from the where the older ones are with their lives. They are the smallest of the bigger kids that feasibility will allow, as it were.
Beverley is too young to be scary like Debbie, or sensual like Tina, and yet she carves her own niche quite effortlessly with a wink and a smirk.
As far as the aforesaid "relationship" with Colin goes, Paul himself finds he reflects on quite what that means when both parties to it are eleven. But that brings us inevitably to consider what any relationship entails. Or as Bowie might have put it - we're just older children after all.
WITH A WINK AND A SMIRK
Just how central is Beverley to the plot? In my view, very much so. The point of the gang for Paul is that it represents his last shot at childhood, and to hang on to that he needs the gang to stretch backwards, not forwards, just as far as crediblity, and credulity, will allow. As a settled couple who are by no means immature for their ages, she and Colin provide that much needed link back to earlier years without being entirely detached from the where the older ones are with their lives. They are the smallest of the bigger kids that feasibility will allow, as it were.
Beverley is too young to be scary like Debbie, or sensual like Tina, and yet she carves her own niche quite effortlessly with a wink and a smirk.
Monday, 19 March 2018
The Best Year Of Our Lives: The Characters - Alison Summerfield
Alison has been described as "sweet", and she is, but she is not by any stretch of the imagination a shrinking violet. Yet her friendship with Debbie Stone, whose boldness is striking, coupled with the fact that she is one of the youngest members of the gang, a year Debbie's junior, inevitably creates a suggestion of such a contrast.
I decided not to "partner" Alison with any of her male counterparts, because there was no partnership to be had. Colin is with Beverley, Paul is by some distance too old, Jim is also too old and in any event goes out with Debbie, and Steve just isn't serious enough to have made for a convincing match with her. Alison is pretty, endearing and smart - she will find love, just not in this particular tale.
THE NEBULOUS BRIDGE
As the story develops and Alison and Debbie to a degree find themselves on opposite sides of the nebulous bridge between childhood and adolescence, it was inevitable that they would drift apart, not necessarily in terms of their friendship but in their interests and associations. That is why as Tina wanders inexorably into Debbie's orbit, so Alison identifies more closely with Beverley before introducing an entirely new acquaintance, Jackie, late into the story.
Alison and Jackie would have been an interesting pairing for any sequel, or indeed had the best year of their lives gone on to become two. Alas it wasn't to be, but more than one reader has pointed out to me how Alison grew on them, considerably, at the second reading. I don't wish to sound boastful, but that was precisely the intention.
I decided not to "partner" Alison with any of her male counterparts, because there was no partnership to be had. Colin is with Beverley, Paul is by some distance too old, Jim is also too old and in any event goes out with Debbie, and Steve just isn't serious enough to have made for a convincing match with her. Alison is pretty, endearing and smart - she will find love, just not in this particular tale.
THE NEBULOUS BRIDGE
As the story develops and Alison and Debbie to a degree find themselves on opposite sides of the nebulous bridge between childhood and adolescence, it was inevitable that they would drift apart, not necessarily in terms of their friendship but in their interests and associations. That is why as Tina wanders inexorably into Debbie's orbit, so Alison identifies more closely with Beverley before introducing an entirely new acquaintance, Jackie, late into the story.
Alison and Jackie would have been an interesting pairing for any sequel, or indeed had the best year of their lives gone on to become two. Alas it wasn't to be, but more than one reader has pointed out to me how Alison grew on them, considerably, at the second reading. I don't wish to sound boastful, but that was precisely the intention.
Saturday, 10 February 2018
The Best Year Of Our Lives: The Characters - Debbie Stone
Debbie is Paul's only realistic challenger for the leadership of the gang. Although younger than himself, Jim and Tina the power of her personality and the extent of her self-belief lead her inevitably to test Paul's resolve, and to probe his weaknesses. And despite the fact that he wins on those occasions when they do go head to head, he never quite manages to put her back in her box.
I worked hard on developing the contrast between Debbie and her best friend Alison, because they are not entirely opposites. Alison is not altogether retiring, simply less outward than her slightly older friend. The challenge throughout The Best Year Of Our Lives was to make them the same, but to such a varying degree that they were at the same time different.
ANOTHER LEADER
Debbie is Jim's girlfriend, and though unlike Paul and Tina they are unambiguously joined I felt the need to overshadow them as the senior "item" within the group by the implied, almost-relationship of their respective elders. And yet when Debbie and Tina get together, it is the former who if anyone is in charge.
In a story which centres around the ego of one individual it is not easy to create and develop another leader, someone who is subordinate to the lead character yet at the same time so obviously free-spirited and instinctively dominant. Only by her being two years his junior could I manage to perfect the hierarchical balance.
I think that casting Debbie was my most challenging assignment, aside of course from Paul himself. The fact that my daughter captured her to a tee with her cover artwork before she had even read the book tells me, I think, that I managed to pitch her as I had intended.
I worked hard on developing the contrast between Debbie and her best friend Alison, because they are not entirely opposites. Alison is not altogether retiring, simply less outward than her slightly older friend. The challenge throughout The Best Year Of Our Lives was to make them the same, but to such a varying degree that they were at the same time different.
ANOTHER LEADER
Debbie is Jim's girlfriend, and though unlike Paul and Tina they are unambiguously joined I felt the need to overshadow them as the senior "item" within the group by the implied, almost-relationship of their respective elders. And yet when Debbie and Tina get together, it is the former who if anyone is in charge.
In a story which centres around the ego of one individual it is not easy to create and develop another leader, someone who is subordinate to the lead character yet at the same time so obviously free-spirited and instinctively dominant. Only by her being two years his junior could I manage to perfect the hierarchical balance.
I think that casting Debbie was my most challenging assignment, aside of course from Paul himself. The fact that my daughter captured her to a tee with her cover artwork before she had even read the book tells me, I think, that I managed to pitch her as I had intended.
Sunday, 21 January 2018
The Best Year Of Our Lives: The Characters - Colin Gray
Colin is the younger of two brothers within the gang. In actual fact he has another brother, Jason, who is three years his junior and who makes a brief appearance early into the story, but he is too young to have been a part of the experience and thus doesn't really feature.
But Colin is not just one of the founder members of the gang. He is quite central to the story if one looks at the gang as a fishing net, with its interwoven cords, rather than as a spider's web with all threads leading to and from the epicentre. In The Best Year Of Our Lives Colin is a boyfriend to Beverley and a brother to Jim, with whom he is fiercely competitive for Paul's respect, and indeed for the respect of others.
He is one of the four members of the eight who begin the story as first-years at their respective primary schools, but he is tall and strong and looks older than his eleven years. He lacks Jim's maturity but they are close enough to be competitive.
Loyalty is Colin's watchword - to Paul, to the eight, and in a sometimes less than obvious way to his big brother also. Most of all he is loyal to Beverley, which at their tender ages is no small achievement. Paul at one point in the story finds himself reflecting upon what might make two kids of their tender vintage an item as opposed to just friends, but whatever it is Colin and Beverley have it and retain it (more or less) throughout.
But Colin is not just one of the founder members of the gang. He is quite central to the story if one looks at the gang as a fishing net, with its interwoven cords, rather than as a spider's web with all threads leading to and from the epicentre. In The Best Year Of Our Lives Colin is a boyfriend to Beverley and a brother to Jim, with whom he is fiercely competitive for Paul's respect, and indeed for the respect of others.
He is one of the four members of the eight who begin the story as first-years at their respective primary schools, but he is tall and strong and looks older than his eleven years. He lacks Jim's maturity but they are close enough to be competitive.
Loyalty is Colin's watchword - to Paul, to the eight, and in a sometimes less than obvious way to his big brother also. Most of all he is loyal to Beverley, which at their tender ages is no small achievement. Paul at one point in the story finds himself reflecting upon what might make two kids of their tender vintage an item as opposed to just friends, but whatever it is Colin and Beverley have it and retain it (more or less) throughout.
Tuesday, 9 January 2018
The Best Year Of Our Lives: The Characters - Steve Turner
Steve is to some extent a stand-alone character in The Best Year Of Our Lives. He is the comedian of the gang, alternately funny and child-like. He is protective towards his sister Beverley, takes abuse from Jim which is uttered at times in jest and at others in frustration, yet has a serious and intelligent side as is evident from his conversation when he is alone with Paul.
Although the same age as Debbie, he shuns the maturity which she craves so impatiently, finding his element in involuntary noises and ditties about flatulence. When the gang rides out to confront its adversaries he is not in his comfort zone, but he is loyal where others waver and is prepared to play his part.
It wouldn't have seemed right to have partnered Steve off at any point during this story. That would doubtless come later to him, once he had calmed down and drifted by reluctant default into adulthood. For the best year he would be Steve, the entertainer, aficionado of the invisible trombone, faithful to the very last chapter.
Although the same age as Debbie, he shuns the maturity which she craves so impatiently, finding his element in involuntary noises and ditties about flatulence. When the gang rides out to confront its adversaries he is not in his comfort zone, but he is loyal where others waver and is prepared to play his part.
It wouldn't have seemed right to have partnered Steve off at any point during this story. That would doubtless come later to him, once he had calmed down and drifted by reluctant default into adulthood. For the best year he would be Steve, the entertainer, aficionado of the invisible trombone, faithful to the very last chapter.
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